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l The virtual machine processes may be implemented as threads on some host operating systems, but throughout this chapter the term thread will be used to refer to a thread of execution of a Dis executable over the Dis VM, created via a Limbo spawn statement, and process will be used to refer to an instance of the Dis VM running over a native kernel or host operating system. 2 The size of the heap may be controlled by flags to the emulator at startup, described in emu(le) or by configuration parameters in the native Inferno kernel.

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Use the clear property to force an element to start past the oating element s bounding box (and before any additional oating elements begin).

In Fig. 13.3 a Monte Carlo calculation of the SU(2) string tension is compared with these weak and strong coupling limits. The calculation exhibits a smooth and rapid transition between the two limits near p N 2 (corresponding to a, E g2/47r N 0.16), suggesting that the strong and weak coupling domains are in the same phase.

A Chart object contains, of course, other objects. Following is a partial object hierarchy for a Chart object.

Once data sources for all TOs have been reassigned according to plan, rationalization of the two identical Relationships Graphs can begin. The first step toward tailoring each file for its new role is removing extraneous process and interface support elements from the data file s Relationships Graph. In the example Inventory solution, I identified that 12 of the 24 TOs on the original Graph were required for script or interface support, but they were nonessential to the schema in the data file. Consequently, I was able to halve the number of TOs in the data file. Similarly, I removed scripts and layouts from the data file. When making changes to both files at this stage in redeployment, multiple test cycles are a good precautionary measure. Extra testing ensures that adjusting Graph and/or other elements in either of the files allows preservation (or restoration, if necessary) of required functionality. After making the preceding changes, the Inventory example reached the desired redeployment aim: a more flexible architecture without sacrificing features or usability. The programming style adjustments required to accommodate the structural change are minimal, and I could efficiently make the required modifications at this stage of development.

The CEX-2D computer code simulations [4] show that charge exchange ions hit the accelerator grid with about three-tenths of the beam potential. For NSTAR, the beam potential is 1100 V; thus, the average charge exchange ion energy is about 330 V. Using the curve fit in reference [4] for sputtering yield Y, the aperture atom sputter rate is obtained:

Aside from helping you control the underlying coding method for producing layers, Dreamweaver enables you to define the default layer. This capability is especially useful during a major production effort in which the Web development team must produce hundreds of layers spread over a Web site. Being able to specify in advance the initial size, color, background, and visibility saves numerous steps each of which would have to be repeated for every layer. Figure 4-12 shows the layout of the Layers category of the Preferences dialog box. The controls accessible through the Layers category are described in the following sections.

var mlLoader:MovieClipLoader = new MovieClipLoader();

Microsoft Word has offered an option to save its documents as HTML since the release of Word 97. Unfortunately, Microsoft s version of HTML output is, at best, highly idiosyncratic. Although you could always open a Word HTML file in Dreamweaver, if you ever had to modify the page which you almost always do it took so long to find your way through the convoluted code that you were almost better off building the page from scratch. Fortunately, that s no longer the case with Dreamweaver.

The Appearance panel works wonders with 3-D objects. If you have complex artwork with a 3-D effect applied, you can reduce screen redraw time by clicking the eyeball (hiding the effect) in the Appearance panel. If you have an object with multiple strokes and fills and 3-D, try moving the 3-D entry to different areas of the Appearance panel. Move it above a fill or under a stroke, and see how different the object can look. Figure 16.13 shows an object with multiple attributes. I moved the 3-D section to different areas to create different looks.